What Kind of DJ Are You? · Result
The Producer Behind the Decks
The set is a listening session for music that is not out yet.
Designed rarity: about 6% of takers
You make records, and the set is where you find out whether they work. Much of what you play tends to be your own, some of it unfinished, and you are often listening to the low end of your bounce on a proper system as much as to the room. Your sets have a coherence nobody else can fake, because every record came from the same pair of ears, and when the material is strong the room hears something it will not hear anywhere else for a year.
You go out with a folder of your own work, a few versions of the newest track and notes on what to listen for. You like long slots, systems that reveal the bottom octave and rooms that take unreleased music seriously. The studio is where you live, and the booth is where you check your work, often heading straight back to the session the next day.
Your strength
Your sets contain music nobody else has, made to fit together.
Your blind spot
Playing several versions of a track back to back can ask a lot of a floor that came to dance.
Key takeaways
- The set is where you find out if the record works.
- Your nights are as strong as your last few months in the studio.
- A flat room is a signal worth listening to, not just a test.
Rooms to try in Seoul
- Cakeshop, Itaewon: A system good enough to tell you what the mix is missing, in front of a crowd that takes unreleased music seriously.
- vurt., Hapjeong: Nobody is looking at you, which is how you like it, and the sub tells you the truth about your kick.
Rooms to try around the world
- Nowadays, New York: A room that books producers as DJs on purpose, on a system that shows you the bottom octave.
- Panorama Bar, Berlin: Long slots where a set built from your own catalogue has time to make its case.
- Womb, Tokyo: A main floor with a system tuned by people who make records, for people who make records.
Your nearest types
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