What Kind of Hip Hop Head Are You? · Result
The Turntablist
Two decks, one mixer, and hours nobody else will ever see.
Designed rarity: about 9% of takers
You treat the turntables as an instrument, and you tend to judge a DJ by their hands before their playlist. People like you have spent months alone with a battle record, a crossfader and the same two bars, chasing a flare or a crab until it sits clean on the beat. You know the lineage, from Grandmaster Flash working breaks back and forth by hand to the routines at the DMC World DJ Championships, and you know how much work hides inside six seconds of a good one. Most of the room will never see that work. You are fine with that.
You like a booth where the decks are level, the needles are fresh and nobody is leaning on the table. You tend to arrive with a short routine you have drilled until it bores you and dazzles everyone else, then fold it into a set at the exact moment it will land. Battles, showcases and any slot where the DJ is the act are where you shine. A long night of requests can wear on you, though you are often better at it than you admit, because clean hands make clean blends too.
Your strength
Your hands do things most DJs cannot, cleanly and on the beat.
Your blind spot
You can end up playing for the three other DJs in the room and forget the two hundred people who came to dance.
Key takeaways
- Your hands are an instrument, and the hours are the point.
- The best routine is one the floor can feel, not only one other DJs can admire.
- Technique travels further when you leave room for the crowd.
Rooms to try around the world
- DMC World DJ Championships, London: The oldest stage for exactly what you do, where six minutes of routine can define a year of practice.
- Scratch DJ Academy, New York: A school built on the idea that scratching is a craft you can teach, practise and keep getting better at.
- Amoeba Music, Los Angeles: Aisles of breaks and battle records deep enough to restock a whole routine in one afternoon.
Your nearest types
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