Home » How Seoul’s Club Scene Survived COVID and What Changed
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The Itaewon COVID cluster in May 2020 was reported in the context of the neighbourhood’s LGBTQ+ scene. The political charge that added to an already difficult moment for nightlife has not entirely dissipated.

On May 2, 2020, a single person who had visited several Itaewon clubs tested positive for COVID-19. Contact tracers linked the cluster to the Homo Hill area. The framing in some Korean media coverage, which emphasised the LGBTQ+ character of the venues involved, added a political dimension to what was initially a straightforward public health event. The clubs, all clubs in Itaewon and eventually across Seoul, closed.

Two years of closures, restrictions, and reduced capacity meant profound disruption for venues and the scene’s community. Some venues survived financially by selling takeout beer and soju. Others did not. The live-stream DJ set became a partial substitute, but the absence of the dance floor, the audience, the collective experience made the substitute something different entirely.

The tragedy on October 29, 2022, occurred in the same district as the 2020 cluster, two years into a recovery that had only recently begun. The immediate impact on venue operations was severe. Survey data showing reduced attendance, particularly among domestic Korean respondents, reflected both the trauma of the event and the specific ways Itaewon’s character had been altered.

The gradual return of international bookings began in 2023. Itaewon’s geography has changed. Foot traffic patterns have shifted. New venue openings and permanent closures have reshaped the district. The regulatory relationship between clubs and local authorities is more formalised. The scene’s dependence on international tourism is better understood and partially reduced. The community that maintained the scene through COVID is the same community building it forward, and their experience has changed their relationship with risk, with density, with what a crowd means.

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The DJ Diaries covers electronic music culture, history, gear, and the Seoul scene.